Julia’s a poet but in the decade since she was a grad
student at Yale she hasn’t written a single poem. She lives in Princeton with
her long-time boyfriend Ben. She's a secretary in the math department and he’s teaching,
writing, and conducting research in his frenzied quest for tenure. It’s 1987
and Julia visits Manhattan to see her parents and perhaps rent an apartment and
take over her father’s accounting practice. While there she runs into Michael,
Ben’s college roommate, and finds herself attracted to him both sexually and as
a muse for her artistic passions. Michael asks Julia tough questions and makes
her wonder whether she’s trying to force Ben into marriage. She loves the security and comfortable sex
life she has with Ben but seeing Michael makes her yearn for more. Michael asks
her if she thinks people can choose to be happy and she answers,
“What
is it we want, if not happiness?”
“More.”
“More
of what?” I asked.
Later Michael tells Julia that her relationship with Ben
is like a Möbius strip – it would keep going infinitely. He tore a piece of paper out of a notebook, flipped one end of it, and created a model for her.
“It’s a metaphor, don’t you see?” he said. . .
“Every
time you feel you’ve gotten to the end of it – emotionally or sexually – you’re
going to find yourself back at the beginning, with the feeling of things being
new.”
I stared at the Möbius strip.
“I hope you’re right,” I said.
“I hope you’re right,” I said.
Thus, Julia continues to repress the impulse to lean into
Michael and change her future. But is that what she should do especially when
she learns that Michael is composing again after a five-year hiatus and
that she is his muse. Could he be her muse as well?
It’s readily apparent that author Jessica Levine is poet and a
translator. Her graceful phrasing and
her attention to just the right word guide the reader into the novel’s
deliberate pace. She writes erotic, yet still poetic, sex scenes that serve as
an impetus and connection to the question Julia is constantly asking herself: Is
this enough?
When Julia talks of love she compares it to animals who
become imprinted and can no longer survive in the wild:
“We’re not so different in matters of the heart. There are experiences of connection so deep they mark and change you forever. After excessive joy there’s the knowledge that everything to come can only be less than; that the happiness experienced is now gone forever, carried away by the torrential river of time, that the rest of life, as a result, can only disappoint. The bliss becomes a traumatic initiation into the ultimate insufficiency of life. Whatever the future has to offer, one thing is clear: it won’t be enough.”
“We’re not so different in matters of the heart. There are experiences of connection so deep they mark and change you forever. After excessive joy there’s the knowledge that everything to come can only be less than; that the happiness experienced is now gone forever, carried away by the torrential river of time, that the rest of life, as a result, can only disappoint. The bliss becomes a traumatic initiation into the ultimate insufficiency of life. Whatever the future has to offer, one thing is clear: it won’t be enough.”
The
Geometry of Love is divided into two parts with the second
section taking place in 2004 when the reader can see where Julia’s choices have
led her. Readers then learn if
her choices were enough or if she must begin again within the Möbius strip or
step out into another mathematical dimension.
Julia’s not an easy character to like and readers will be cheering for her to stay with Ben, to run to Michael, or to find an
entirely new life. Occasionally this
reader was torn between wanting her to be happy and wanting her to simply make
up her mind. Making readers sympathetic
to conflicted characters who seem on the verge of bad choices isn’t easy. So
when Levine implants us in Julia’s head, she gets extra points for “degree of
difficulty.” If this novel were a diving
event, Levine’s writing would be a complicated reverse somersault with a twist.
Summing
it Up: Dive into this complex Möbius strip of a novel to enter Julia’s mind as
she contends with thoughts of creativity’s source, of the importance of erotic
love, of family, and of the price of infidelity. Read this novel to see how the
geometry of love with its triangles and linear equations can lead to one plus one
becoming two or perhaps to much more.
Rating: 4 stars
Category:
Gourmet, Fiction, Book Club
Publication
date: April 8, 2013
Reading
Group Guide: http://www.jessicalevine.com/wp-content/uploads/2014/03/The_Geometry_of_Love_Reading_Group_Guide.pdf
Jessica Levine will be glad to visit book clubs in person or schedule a conference by speakerphone or Skype when you're discussing the book.
Jessica Levine will be glad to visit book clubs in person or schedule a conference by speakerphone or Skype when you're discussing the book.
What
Others are Saying:
"Jessica Levine knows relationships. In THE GEOMETRY
OF LOVE, Levine artfully weaves the story of one woman's desire for passion, art
and love and her conflicting needs of comfort, security and stability. A universal tale written by a compassionate
writer whose gentle love of her characters shines throughout this book."--Ann Garvin, author of ON MAGGIE'S WATCH
"Unfulfilled love and attraction can resonate over decades, affecting our choices of who we love, what we create, and ultimately who we are. In his novel of relationships, Jessica Levine offers a strong heroine in Julia, a woman who wants to be honorable even as she wrestles with her wilder side and the undertow of longing. We root for her as she tries to do the right thing, which in the end is best chosen by the heart
…a fine literary debut that weaves psychological wisdom into an entertaining love story."--Virginia Pye, author of RIVER OF DUST
"Unfulfilled love and attraction can resonate over decades, affecting our choices of who we love, what we create, and ultimately who we are. In his novel of relationships, Jessica Levine offers a strong heroine in Julia, a woman who wants to be honorable even as she wrestles with her wilder side and the undertow of longing. We root for her as she tries to do the right thing, which in the end is best chosen by the heart
…a fine literary debut that weaves psychological wisdom into an entertaining love story."--Virginia Pye, author of RIVER OF DUST
“The Geometry of Love charts the love triangle between Julia, Ben, and Michael as all three search for the answers to life’s most heartfelt questions. Spanning 1987 to 2004, the novel’s scope and sweeping character arcs will appeal to fans of Meg Wolitzer’s The Interestings…. Julia’s emotions, insecurities, and pleasures are laid bare and recall Isadora Wing in Erica Jong’s Fear of Flying….An outstanding first novel.”
—Booklist, starred review
The
Geometry of Love will be one of five novels showcased in ForeWord
Magazine's Debut Fiction ForeSight editorial article planned for their
Summer Issue.
No comments:
Post a Comment